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Shehnaz Sheikh doesn’t watch TV serials any extra

by Pakistan Latest News Update
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The family title of 1980s, the long-lasting TV actor Shehnaz Sheikh — recognized for her roles as Sana Murad of Ankahi and Zara of Tanhaiyan — doesn’t watch TV serials now.
“I don’t watch TV serials for the simple reason that I can’t follow these serials having so many episodes; sometimes a serial has 26 or 27 episodes. To me, this kind of work has become quite easy, times have changed a lot. But I won’t say that all serials or plays are not doing well, some good work is also being done,” says Sheikh who’s admired not solely in Pakistan however virtually in each such nation the place Urdu is spoken or understood for her magnificent appearing abilities.
In a latest interview with Daybreak, she speaks her coronary heart out on artwork and tradition and the present-day tv performs being telecast on personal TV channels.
When requested additional about the usual of TV drama, Sheikh says, “To me, tv performs typically have misplaced the usual. Once we used to do performs on the PTV, we had educated producers or administrators who knew effectively what the casting was all about, they knew the distinction between an excellent or a foul script. The PTV used to bear all of the bills of the performs and artistes. I might say with nice disappointment that the PTV has been systematically destroyed to support personal channels and ‘the brands’ that sponsor personal channels within the present instances. Now manufacturers determine the script and the tone of the manufacturing. The horrible half performed in all this fiasco was the political appointments on the PTV.”
Sheikh says that the standard of appearing, if in contrast with the previous, has skilled some decline, which has causes. Nonetheless, she is joyful that no less than one thing is being finished, good or unhealthy.
To the query as to why the cultural establishments equivalent to artwork councils give house to business productions like business theatre, she explains that performing arts want sponsorships and patronage and theatre, actors and dancers need to be patronised.
“But who is patronising them in the current times, the commercial folks and not the government because it’s expensive. I would feel ashamed if I would say that the government should patronise the arts as the government in this country has not patronised health, children, or education, what to talk about the patronage of art.”
Nonetheless; there are at all times the establishments which offer alternatives to the artistes, she says, including that now we have one establishment of appearing, Nationwide Academy of Performing Arts (NAPA), in Karachi. “I think the best thing for the upcoming artistes is being done by such educational institutions where performing or visual arts are being taught.”
When requested whether or not the federal government ought to set up nationwide stage establishments to supply and cater to younger artistes, Sheikh requested a counter-question, saying who would head such an establishment. “Not an artiste at least, some bureaucrat would be appointed as its head and what will happen to that institution then, a nosedive? In this country, the government would never appoint an artiste as the head of a performing arts institution for the simple reason that we, the artistes, who are the most relevant folks for this kind of job ironically do not qualify for this kind of slot. They would ask if you have a degree, oh your age limit is over, but they would not consider one’s experience in one’s field.”
Relating to the present lot of characters, she considers a few of them doing extraordinarily effectively equivalent to Sania Saeed, Sanam Saeed and Iqra Aziz.
When requested about her actions today and her life she says: “I have been teaching acting for the last many years. I have taught theatre at the Aitchison College for the last about 14 years while for over a decade now I have been teaching acting at the Lahore Grammar School (LGS) and recently I have joined National College of Arts (NCA), my alma mater, to teach theatre where I am teaching a six-month diploma course in acting. I hope we shall stage a theatrical performance at the end of the diploma course somewhere in October this year”.
Initially printed in Daybreak, August 22nd, 2022



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